...Joseph Darda The Racial Imaginary of the Cold War Kitchen: From Sokol’niki Park to Chicago’s South Side . By Kate A. Baldwin . Hanover, NH : Dartmouth College Press . 2016 . xviii, 236 pp. Cloth , $85.00 ; paper, $45.00 ; e-book, $39.99 . Reading America: Citizenship...

... : 11 – 13 . Smith Barbara , and Beverly Smith . 1981 . “Across the Kitchen Table: A Sister-to-Sister Dialogue .” Interview by Anzaldúa Gloria E. and Moraga Cherríe . In Anzaldúa and Moraga 1981 : 113 – 27 . Mutual Aid: Building Solidarity during...

... . This Bridge Called My Back: Writings by Radical Women of Color . Watertown, MA : Persephone Press . Murray Simone . 1998 . “ ‘Books of Integrity:’ The Women’s Press, Kitchen Table Press, and Dilemmas of Feminist Publishing .” European Journal of Women’s Studies 5 , no. 2 : 171 – 93...

... in Glaspell’s story that ‘nothing important’ transpired in Minnie Foster’s kitchen Palumbo-DeSimone exhorts us to emulate the women in the story and figure out what the clues in the kitchen tell us about what happened...

... that such stories are inherently inconsequential parallels the men’s convic- tion in Glaspell’s story that ‘nothing important’ transpired in Minnie Foster’s kitchen Palumbo-DeSimone exhorts us to emulate the women in the story...

... to writers from Richard Wright and James Baldwin to Alice Walker and Toni Morrison. Originally published in Japanese, this English version is intended for a wide audience of U.S. literary scholars. Stirring the Pot: The Kitchen and Domesticity in the Fiction of Southern Women. By Laura Sloan...

... and white, white and blue, banner manner. Her red and white all over black and blue, Hannah’s bandanna, flagging her down in the kitchen with Dinah, with Jemima. Someone in the kitchen I know’’ (T, 11). Mullen describes her work as a ‘‘splicing together of differ- ent lexicons 23 In this case, one thread...

.... The trick succeeds in keeping them together until one day the tree into which Sandy has been transformed is cut down, made into lumber, and used to build a new kitchen, separate from the house, for the master’s wife. Julius summons the tale of “Po’ Sandy” firstly in order to dramatize, within...

..., the tired eyes of digital piecework or, as with the abstract visages of Heather Dewey-Hagborg s How Do You See Me?, a computer learning to see. The speculative remixes of quotes from Virginia Woolf and Katherine Anne Porter, which xtine burrough and Sabrina Starnaman set atop clips from the Epic Kitchens...

... to their marginalization not only through their writing but also by intervening in the publishing landscape itself. Kitchen Table Press, which Audre Lorde and Barbara Smith founded in 1980, became a hub for supporting and distributing autoethnographic writing (Smith 1989 : 11). Kitchen Table published many key precursors...

... interface through which they can control their avatar and read descriptions of the world. Upon starting this version, players are presented with instructions informing them of their goal. You are hungry! they are informed, Let s cook a delicious meal. Check the cookbook in the kitchen for the recipe...

..., sexuality, and affect within postwar movements. Writing in the Kitchen: Essays on Southern Literature and Foodways. Ed. David A. Davis and Tara Powell. Jackson: Univ. Press of Mississippi. 2014. xi, 245 pp. $60.00. Emerging from a 2010 conference panel on food and Southern US literature, Writing...

..., Packer is a currency superstar. By the end of the novel he is in des- perate straits. The final scene finds Packer, who has only half a hair- cut, divested of all his wealth and prone on the floor of a condemned building in Hell’s Kitchen, suspended in a liminal state between life and death...

..., and scarcely particularized by social context, might well have played a larger role in Things. For surely thingness—so frequently conjuring a kitchen, so often generating a litany of household items—is apt to be underwritten by the feminine? Susan Fraiman, University of Virginia ...

... a turn that tells a great deal about his approach to the politics of poetic form. Reading a passage in which Ammons lovingly describes the fantastic smells and sounds emanating out of the kitchen while he writes in his office, Epstein shifts to thinking about the male privilege that makes possible...

... the impossible contradic- tion between Lutie’s material opportunities and the generic ideal of American opportunity. While riding the New York City subway home from work, Lutie sees an advertisement featuring a blonde woman standing next to a gleaming white sink, surrounded by a luxurious, spotless kitchen...

... with each of these men about the materials and services required for Hemings to create his artful cook- ery for the plantation’s residents and guests. And in this way, the sur- face view of Jefferson’s correspondence also acknowledges the reach of Hemings’s cooking—centered in the kitchen...

... a sparkling white kitchen, ‘‘a miracle of a kitchen complete with a housewife ‘‘with incredible blond hair’’ (S, 28). Absorbed in staring at the advertisement, Lutie ‘‘entered a small private world which shut out the people tightly packed around her’’ (S, 28). Within this pri...

... to the white folk’s kitchen and back home again” (131). 12 Million Black Voices indicates an awareness of the economic and spatial structures that enforce the oppression of black women: “Surrounding our black women are many almost insuperable barriers: they are black, they are women...

... of hot toil in the white folks’ kitchens” (307). Black men in the novel hardly fare bet- ter. Many, like Bigger’s friends, are unemployed. Doc runs a pool hall and one man has found intermittent work “fix[ing] the streets” (235). But the cooks and waitresses in “Ernie’s Kitchen Shack” still serve...