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fireman

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Journal Article
American Literature (2005) 77 (4): 669–698.
Published: 01 December 2005
...Jonathan Auerbach © 2005 by Duke University Press 2005 Jonathan ‘‘Wonderful Apparatus or Auerbach Life of an American Fireman If indeed ‘‘all media were once new media this is a ‘‘truism’’ exasperatingly difficult to keep in mind.1 It is one thing to recall...
Journal Article
American Literature (2011) 83 (1): 1–27.
Published: 01 March 2011
... as time allows, only as one lingers or returns to a given option in an ever-growing list. Whitman pervasively uses the phrase “I am the . . .” to the same effect. In one short passage, he writes: “I am the hounded slave,” “I am the mashed fireman with breastbone broken,” “I am the clock myself...
Journal Article
American Literature (2007) 79 (3): 577–603.
Published: 01 September 2007
... reported that the police officers present adopted an impassive unconcern as Vinales screamed. They repeatedly used the word faggot to describe Vinales, and one policeman said to a fireman who came to rescue Vinales: “You don’t have to hurry, he’s dead, and if he’s...
Journal Article
American Literature (2008) 80 (3): 611–613.
Published: 01 September 2008
... and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual white male and female bodies, familiar to scholars of early cinema, is characterized in Auerbach’s analysis as active...
Journal Article
American Literature (2008) 80 (3): 613–615.
Published: 01 September 2008
... and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual white male and female bodies, familiar to scholars of early cinema, is characterized in Auerbach’s analysis as active...
Journal Article
American Literature (2008) 80 (3): 615–617.
Published: 01 September 2008
... and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual white male and female bodies, familiar to scholars of early cinema, is characterized in Auerbach’s analysis as active...
Journal Article
American Literature (2008) 80 (3): 617–620.
Published: 01 September 2008
... and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual white male and female bodies, familiar to scholars of early cinema, is characterized in Auerbach’s analysis as active...
Journal Article
American Literature (2008) 80 (3): 621–624.
Published: 01 September 2008
... and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual white male and female bodies, familiar to scholars of early cinema, is characterized in Auerbach’s analysis as active...
Journal Article
American Literature (2006) 78 (2): 293–323.
Published: 01 June 2006
... be grasped by turning again to the essay ‘‘Author’s House’’ with which I began. There Fitzgerald speaks of the death of his sisters as one explana- tion for what ‘‘made [him] a fiction writer instead of a fireman or a soldier42 The statement suggests that becoming a writer was a way to achieve manhood...
Journal Article
American Literature (2008) 80 (3): 624–626.
Published: 01 September 2008
... cinematic subjects include Presi- dent William McKinley in his campaign films, the filmed kiss of stage celeb- rities Mary Rice and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual...
Journal Article
American Literature (2008) 80 (3): 627–629.
Published: 01 September 2008
... and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual white male and female bodies, familiar to scholars of early cinema, is characterized in Auerbach’s analysis as active...
Journal Article
American Literature (2008) 80 (3): 629–631.
Published: 01 September 2008
... cinematic subjects include Presi- dent William McKinley in his campaign films, the filmed kiss of stage celeb- rities Mary Rice and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual...
Journal Article
American Literature (2008) 80 (3): 631–634.
Published: 01 September 2008
... and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual white male and female bodies, familiar to scholars of early cinema, is characterized in Auerbach’s analysis as active...
Journal Article
American Literature (2008) 80 (3): 634–637.
Published: 01 September 2008
... and John Irwin, the bevy of would-be brides who pursue the French nobleman, and the hero of Edwin Porter’s Life of an American Fireman (1903). Each of these heterosexual white male and female bodies, familiar to scholars of early cinema, is characterized in Auerbach’s analysis as active...
Journal Article
American Literature (2008) 80 (2): 233–263.
Published: 01 June 2008
... fireman in Ned Buntline’sThree Years After, Mose charges into a burning building to rescue a young woman named Eliza, who later becomes his “g’hal.”31 Tall, swagger- ing, powerfully built, Mose embodied male energy overflowing the channeling structures of productive labor. This energy...
Journal Article
American Literature (2001) 73 (1): 85–119.
Published: 01 March 2001
... of identification, which are also a kind of self-disruption or self-evaporation: ‘‘I am the hounded slave ‘‘I am the mashed fireman ‘‘I am the old artillerist’’ (LG, 62, 63). The momentary thinning of Whitman’s local persona allows this se- quence of self-identifications to surface, adding to the variety of per...