...Emily Satterwhite Duke University Press 2006 Emily Reading Craddock, Reading Murfree: Satterwhite Local Color, Authenticity, and Geographies of Reception You see it had never occurred to any of us that ‘‘Craddock’’ was not a man...

... Egbert Craddock, in familiar terms for her “regard for the total impression,” for “the range and minuteness of [her] observation,” and for not simply “piling up a mass of details” like a bad artist (and realist), critics judged her work a mas- terful instance of local color and placed her...

... .” In Biomedicalization: Technoscience, Health, and Illness in the U.S , 47 – 87 . Durham, NC : Duke Univ. Press . Cohen Ed. 2009 . A Body Worth Defending: Immunity, Biopolitics, and the Apotheosis of the Modern Body . Durham, NC : Duke Univ. Press . Craddock Susan . 2000 . City of Plagues...

... on travel writing, hauntings, New Orleans, and the role of the author’s body in the reception of his or her work. In this last category, Hardwig conducts a fascinating comparison of the dis- covery that Charles Egbert Craddock, credited author of the 1884 short- story collection In the Tennessee...

... its initial publication in 1891. Written under the pseudonym Charles Egbert Craddock, the story chronicles a Tennessee mountaineer community’s attempts to stop an out- sider archaeologist from opening a mythic, prehistoric gravesite of ‘‘leetle stranger people Murfree, a nineteenth-century...