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Journal Article

Epilogue

Available to Purchase
Zita Cristina Nunes
American Literature (2019) 91 (3): 649–652.
DOI: https://doi.org/10.1215/00029831-7722164
Published: 01 September 2019
... by displaying the engagement of a group of artists with their environment and materials, slavery and colonialism, and the circulation of commodities as art and activism. Produced by the Cercle d’Art des Travailleurs de Plantation Congolaise (Congolese Plantation Workers Art League)—a laborers’ collective...
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Figure 1 Cedrick Tamasala, How My Grandfather Survived, 2015, installation view, Cercle d’Art des Travailleurs de Plantation Congolaise, SculptureCenter, New York, 2017. Chocolate. 15 by 8.3 by 9.4 inches (38 by 21 by 24 cm). Courtesy the Cercle d’Art des Travailleurs de Plantation Congolaise; Galerie Fons Welters, Amsterdam; and KOW, Berlin. Photo by Kyle Knodell

Cedrick Tamasala, How My Grandfather Survived , 2015, installation view, ...

Available to Purchase
in Epilogue > American Literature
Published: 01 September 2019
Figure 1 Cedrick Tamasala, How My Grandfather Survived , 2015, installation view, Cercle d’Art des Travailleurs de Plantation Congolaise , SculptureCenter, New York, 2017. Chocolate. 15 by 8.3 by 9.4 inches (38 by 21 by 24 cm). Courtesy the Cercle d’Art des Travailleurs de Plantation Congolaise More