... replace the schema of personal ambition, transgression, and punishment that overtly organizes Dreiser’s novel as generate scenes—ultimately, Clyde’s trial—that can accommodate both systems of value. This...

... organized with the exception of the placement Tseng 2000.12.5 11:42 DST:103 Book Reviews 895 of essays by Tommy Lee Lott, Elizabeth Amelia Hadley, and Clyde Taylor...

... by Tommy Lee Lott, Elizabeth Amelia Hadley, and Clyde Taylor. Hadley’s essay reveals the social, economic, and artistic struggles that the Eyes on the Prize producers and film crew experienced during and after pro...

... conservative and supposedly liberal white Southern writers. Romine ends his study with the contemporary South, looking briefly at Walker Percy’s The Moviegoer and Clyde Edgerton’s Raney. Romine notes the Tseng...

... conservative and supposedly liberal white Southern writers. Romine ends his study with the contemporary South, looking briefly at Walker Percy’s The Moviegoer and Clyde Edgerton’s Raney. Romine notes the Tseng...

... Carolina’s regional fiction from west to east, Hovis shows how Doris Betts, Reynolds Price, Fred Chappell, Lee Smith, Clyde Edger- ton, and Randall Kenan have portrayed the state’s twentieth-century working 438  American Literature class. Hovis uncovers in their fiction the lingering...

... . Manufacturer’s Record . 1923 . “ Negro Workers on the World’s Largest Cotton Plantation .” October 25 : 103 – 6 . McKittrick Katherine , and Woods Clyde . 2007 . “ No One Knows the Mysteries at the Bottom of the Ocean .” In Black Geographies and the Politics of Place , edited by...

... critical study of Irish American women’s literature, and the editor’s introduction offers a compre- hensive overview of the tradition. New Boundaries in Political Science Fiction. Ed. Donald M. Hassler and Clyde Wilcox. Columbia: Univ. of South Carolina Press. 2008. xii, 362 pp. $44.95. This...

... late 1960s until 1980, in which auteurs had unprecedented creative control over filmmaking. As is widely recognized, the New Hollywood era was ushered in by low-budget moneymakers like Bonnie and Clyde (1967) and Easy Rider (1969), which became icons of 1960s counterculture. 9 But films like...

...: Transformations in Masculinity from the Revolution to the Modern Era (New York: Basic Books, 1993); Shawn Johansen, Family Men: Middle-Class Fatherhood in Early Industrializing America (New York: Routledge, 2001); Mark C. Carnes and Clyde Grif...