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classical music

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Journal Article
American Literature (2016) 88 (2): 419–422.
Published: 01 June 2016
... Press . 2013 . vii, 197 pp. Cloth , $80.00 ; paper, $22.95 . Copyright © 2016 by Duke University Press 2016 Literary critics were not the intended beneficiaries of the New Musicology, the revisionism that supplemented technical analyses of the European classical music canon with broader...
Journal Article
American Literature (2020) 92 (4): 623–652.
Published: 01 December 2020
... , edited by Field Douglas , 83 – 110 . New York : Oxford Univ. Press . Miyakawa Felicia M. 2005 . “ ‘Jazz at Night and the Classics in the Morning’: Musical Double-Consciousness in Short Fiction by Langston Hughes .” Popular Music 24 , no. 2 : 273 – 78 . Nietzsche Friedrich...
Journal Article
American Literature (2010) 82 (3): 519–551.
Published: 01 September 2010
...Brian Hochman Hochman's essay uses the work of George Washington Cable to examine a far-reaching set of debates about media technology, auditory perception, and cultural difference that emerged during the 1880s and 1890s. The first half focuses on Cable's classic dialect novel The Grandissimes...
Journal Article
American Literature (2000) 72 (2): 249–274.
Published: 01 June 2000
... reflects and engages the racial politics of early-twentieth- century American music. The ex-colored man’s various innovations (he claims to be the first to ‘‘rag the classics the first to conceive of classical music based...
Journal Article
American Literature (2017) 89 (4): 791–820.
Published: 01 December 2017
...-baraka . Baraka Miles . 2009 . “ When Miles Split .” In Digging: The Afro-American Soul of American Classical Music , 166 – 69 . Berkeley : Univ. of California Press . Bercovitch Sacvan . 2002 . “ Deadpan Huck; or, What’s Funny about Interpretation .” Kenyon Review 24 , nos. 3...
Journal Article
American Literature (2012) 84 (3): 563–587.
Published: 01 September 2012
... lieder, that she had performed at New York’s Town Hall in 1959. Given the com- plex significance of Price’s celebrity status, as a figure identified with the Civil Rights movement as well as with classical music, it is not surprising that Hughes accentuates the ironies of her life, mixing...
Journal Article
American Literature (2009) 81 (3): 630–632.
Published: 01 September 2009
... bands of the Swing Era, for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke...
Journal Article
American Literature (2009) 81 (3): 613–615.
Published: 01 September 2009
... bands of the Swing Era, for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke...
Journal Article
American Literature (2009) 81 (3): 615–617.
Published: 01 September 2009
... bands of the Swing Era, for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke...
Journal Article
American Literature (2009) 81 (3): 618–621.
Published: 01 September 2009
..., for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke for an African American “serious...
Journal Article
American Literature (2009) 81 (3): 621–623.
Published: 01 September 2009
..., for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke for an African American “serious...
Journal Article
American Literature (2009) 81 (3): 623–625.
Published: 01 September 2009
... bands of the Swing Era, for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke...
Journal Article
American Literature (2009) 81 (3): 626–628.
Published: 01 September 2009
... habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke for an African American “serious music” and as the result of an intensifying call for Black...
Journal Article
American Literature (2009) 81 (3): 628–630.
Published: 01 September 2009
... bands of the Swing Era, for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke...
Journal Article
American Literature (2009) 81 (3): 633–635.
Published: 01 September 2009
... habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke for an African American “serious music” and as the result of an intensifying call for Black...
Journal Article
American Literature (2009) 81 (3): 635–637.
Published: 01 September 2009
..., for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke for an African American “serious...
Journal Article
American Literature (2009) 81 (3): 637–639.
Published: 01 September 2009
... bands of the Swing Era, for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke...
Journal Article
American Literature (2009) 81 (3): 639–641.
Published: 01 September 2009
... habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke for an African American “serious music” and as the result of an intensifying call for Black...
Journal Article
American Literature (2009) 81 (3): 641–643.
Published: 01 September 2009
... bands of the Swing Era, for instance, and the way in which their con- tributions were habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke...
Journal Article
American Literature (2009) 81 (3): 643–646.
Published: 01 September 2009
... habitually appropriated by nationally prominent big bands. In a section titled “America’s Classical Music,” Thomas envisions late 1940s bop as fulfilling the call of Harlem Renaissance promoter Alain Locke for an African American “serious music” and as the result of an intensifying call for Black...