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bebop

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Journal Article
American Literature (1 June 2000) 72 (2): 357–385.
Published: 01 June 2000
...John Lowney Duke University Press 2000 John Langston Hughes and the ‘‘Nonsense’’ of Bebop Lowney 6059 American Literature 72:2 / sheet 119 of223 In terms of current Afro-American popular music and the...
Journal Article
American Literature (1 June 2015) 87 (2): 303–330.
Published: 01 June 2015
... both poets make with the bebop jazz of Charlie Parker and his colleagues. By taking “jazz” less as a specific body of sounds than as a conceptual provocation to rethink the very idea (and ideal) of poetry as a musical phenomenon, Hughes and Olson—both individually and together—help us make new sense of...
Journal Article
American Literature (1 June 2015) 87 (2): 275–302.
Published: 01 June 2015
... Is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word . Urbana : Univ. of Illinois Press . Lott Eric . 1988 . “ Double V, Double-Time: Bebop’s Politics of Style .” Callaloo 36 : 597 – 605 . Lowney John . 2006 . History, Memory, and the Literary Left: Modern...
Journal Article
American Literature (1 September 2003) 75 (3): 659–661.
Published: 01 September 2003
... the black consciousness movement of the 1960s. This post–Harlem Renaissance, post–bebop modernism, asserts Benston, trans- formed dead-letter representation into animated presentation and opened a still...
Journal Article
American Literature (1 September 2012) 84 (3): 563–587.
Published: 01 September 2012
... hybrid form that resisted such distinctions. Part of the confusion informing such debates was that the concept of modernism, which black musicians had ascribed especially to bebop, was otherwise rarely associated with African American culture. The nationalist promotion of jazz as an...
Journal Article
American Literature (1 December 2007) 79 (4): 821–823.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 823–826.
Published: 01 December 2007
... notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living Theatre’s productions of Frankenstein (1965) and The Connection (1959) to argue his point, basing his assertions on an...
Journal Article
American Literature (1 December 2007) 79 (4): 826–828.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 828–830.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 830–832.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 833–835.
Published: 01 December 2007
... notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living Theatre’s productions of Frankenstein (1965) and The Connection (1959) to argue his point, basing his assertions on an...
Journal Article
American Literature (1 December 2007) 79 (4): 835–838.
Published: 01 December 2007
... notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living Theatre’s productions of Frankenstein (1965) and The Connection (1959) to argue his point, basing his assertions on an...
Journal Article
American Literature (1 December 2007) 79 (4): 838–840.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 840–842.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 843–845.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 845–847.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 847–849.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 850–852.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 852–854.
Published: 01 December 2007
... frustrating yet always provocative analyses. Take case 1 as exemplary. Sell constructs a tripartite context of Artaudian notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living...
Journal Article
American Literature (1 December 2007) 79 (4): 854–856.
Published: 01 December 2007
... notions of cruelty, bebop, and the drug wars to illuminate how the corporeal assumed particular significance in and as art in the Cold War (64). Sell con- centrates on The Living Theatre’s productions of Frankenstein (1965) and The Connection (1959) to argue his point, basing his assertions on an...