Search Results for Mary Rowlandson

... of hunger in Mary Rowlandson's 1682 captivity narrative, The Sovereignty and Goodness of God , serve as the essay's principal case study. The essay argues that rethinking the history of sexuality in terms of the cultivation of sensations forces a reconsideration of the archives from which examples of pre...

...Pamela Lougheed Duke University Press 2002 Pamela ‘‘Then Began He to Rant and Threaten Lougheed Indian Malice and Individual Liberty in Mary Rowlandson’s Captivity Narrative The most notorious battle of King Philip’s War is the Great Swamp...

... of that relation. Through readings of John Marshall, Mary Rowlandson, James Printer, and Martin R. Delany, this article brings together the fields of media philosophy and settler colonial studies to theorize the “parasitical trick” as a fundamental and flexible technique of settler colonialism that removes...

... and approaches, Puritans still come tumbling from our syllabi: William Bradford, John Winthrop, Anne Hutchinson, Roger Williams, Anne Bradstreet, Edward Taylor, Mary Rowlandson. The old-school roster persists, and although many have revised their surveys of the seventeenth century, more I think have a hard time...

... between Old England and New, Concerning Their Present Troubles, Anno, 1642,” the Eliot tracts, and Mary Rowlandson’s captivity narrative. His reading of Bradstreet’s poem turns on the distinction between sympathy and pity, namely that “pity introduces an unequal distribution of power” (135). Van Engen...

... Literature Section of the MLA to Nicholas Gaskill, University of North Carolina, Chapel Hill, for “Red Cars with Red Lights and Red Drivers: Color, Crane, and Qualia” (December, 719–45). Honorable mentions were awarded to Jordan Alexander Stein for “Mary Rowlandson’s Hunger...

... Neale Hurston’s Dust Tracks on a Road and the concluding analysis of Cecile Pineda’s Face, bracket three chapters of paired works read as autobiography: Mary Rowlandson’s Captivity Narrative and Harriet Jacobs’s Incidents in the 6363...

... in the urtext of captivity, Mary Rowlandson’s Narrative. Rowlandson recounts in her Fourth Remove the doleful tale of Goodwife Joslyn, the pregnant woman who begs her captors to allow her to return home, with the result that “they knocked her on [the] head and the child in her arms with her...

... whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against...

... whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against...

... unions between whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon...

... whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against...

... whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against...

... whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against...

... whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against...

... whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against...

... unions between whites and Indians and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon...

... and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against Stephen King. One...

... and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against Stephen King. One...

... and using the ghostlike imagery to suggest their doomed nature. Bergland also discusses the works of Mary Rowlandson, Charles Brockden Brown, Philip Freneau, Washington Irving, William Apess, and Nathaniel Hawthorne. In a brief conclusion, she places Leslie Marmon Silko against Stephen King. One...