... of Bigger’s life is negative, and there are no redemptive qualities to his Blackness or the Black spaces in which he resides. Carla Cappetti ( 1995 : 91), when arguing that Wright’s less-dim autobiographical writing offers a corrective to the bleakness of Native Son , thus takes Wright to task...

... . The Black Shoals: Offshore Formations of Black and Native Studies . Durham, NC : Duke Univ. Press . Krauthamer Barbara . 2013 . Black Slaves, Indian Masters: Slavery, Emancipation, and Citizenship in the Native American South . Chapel Hill : Univ. of North Carolina Press. Google Book...

..., which has gained great prominence over the last decade in scholarly accounts of Euramerican- native engagement. In his immensely well-researched and instructive Territoriality and Textuality in Black Hawk’s Narrative  679 study of that name, Richard White characterizes the book’s...

...Sidonia Serafini Abstract This article explores how Black race histories, Native American traditionary histories, and tribute poems published in Hampton Institute’s Southern Workman (1872–1939) used military service as an imaginative foundation for thinking about citizenship beyond legal meanings...

... status,” a threshold concept that both united and divided indigenous and black subjects in antebellum America. One of Ben-zvi’s stated aims in the book is to challenge the tendency toward compartmentalization within the field of American studies. Stressing the importance of developing a comprehensive...

... orchestrates a nuanced interdisciplinary study of black women fiction writers and visual artists, including Edwidge Danticat, Gayl Jones, Jamaica Kincaid, Andrea Lee, Martha Southgate, Faith Ringgold, Betye Saar, Kara Walker, and Carrie Mae Weems. Her stunning and unlikely pairings revise the archive...

... nationalism and racial authenticity” as well as by “the aesthetic inno­ vations of performance art” (11)—poetic and oratorical formats for what Kim­ berly Benston calls “performing blackness.” Caroline Brown accordingly orchestrates a nuanced interdisciplinary study of black women fiction writers...

... nationalism and racial authenticity” as well as by “the aesthetic inno­ vations of performance art” (11)—poetic and oratorical formats for what Kim­ berly Benston calls “performing blackness.” Caroline Brown accordingly orchestrates a nuanced interdisciplinary study of black women fiction writers...

... nationalism and racial authenticity” as well as by “the aesthetic inno­ vations of performance art” (11)—poetic and oratorical formats for what Kim­ berly Benston calls “performing blackness.” Caroline Brown accordingly orchestrates a nuanced interdisciplinary study of black women fiction writers...

... orchestrates a nuanced interdisciplinary study of black women fiction writers and visual artists, including Edwidge Danticat, Gayl Jones, Jamaica Kincaid, Andrea Lee, Martha Southgate, Faith Ringgold, Betye Saar, Kara Walker, and Carrie Mae Weems. Her stunning and unlikely pairings revise the archive...

... of performance art” (11)—poetic and oratorical formats for what Kim­ berly Benston calls “performing blackness.” Caroline Brown accordingly orchestrates a nuanced interdisciplinary study of black women fiction writers and visual artists, including Edwidge Danticat, Gayl Jones, Jamaica Kincaid, Andrea Lee...

... nationalism and racial authenticity” as well as by “the aesthetic inno­ vations of performance art” (11)—poetic and oratorical formats for what Kim­ berly Benston calls “performing blackness.” Caroline Brown accordingly orchestrates a nuanced interdisciplinary study of black women fiction writers...

... of performance art” (11)—poetic and oratorical formats for what Kim­ berly Benston calls “performing blackness.” Caroline Brown accordingly orchestrates a nuanced interdisciplinary study of black women fiction writers and visual artists, including Edwidge Danticat, Gayl Jones, Jamaica Kincaid, Andrea Lee...

... orchestrates a nuanced interdisciplinary study of black women fiction writers and visual artists, including Edwidge Danticat, Gayl Jones, Jamaica Kincaid, Andrea Lee, Martha Southgate, Faith Ringgold, Betye Saar, Kara Walker, and Carrie Mae Weems. Her stunning and unlikely pairings revise the archive...

... nationalism and racial authenticity” as well as by “the aesthetic inno­ vations of performance art” (11)—poetic and oratorical formats for what Kim­ berly Benston calls “performing blackness.” Caroline Brown accordingly orchestrates a nuanced interdisciplinary study of black women fiction writers...

... within venues associated with abolition, the capacity of white supremacy to impede Black progress regardless of nationality or legal status. Said’s approach in “A Native of Bornoo” aligns with what Derrick R. Spires ( 2019 : 162) calls, in his study of the Anglo-African Magazine , the “practices...

... and the production of good and bad subjects. Harrison-Kahan’s The White Negress pushes the “love and theft” paradigm into new terrain: she focuses on Jewish and black women performers and writ- ers who engage with a black-Jewish imaginary. Much of the work in critical blackface studies and whiteness...

... and the production of good and bad subjects. Harrison-Kahan’s The White Negress pushes the “love and theft” paradigm into new terrain: she focuses on Jewish and black women performers and writ- ers who engage with a black-Jewish imaginary. Much of the work in critical blackface studies and whiteness...

... women performers and writ- ers who engage with a black-Jewish imaginary. Much of the work in critical blackface studies and whiteness studies conforms to a binary of black and white, insufficiently addresses gender beyond masculinity, and gives short shrift to the performativity and fluidity...

... women performers and writ- ers who engage with a black-Jewish imaginary. Much of the work in critical blackface studies and whiteness studies conforms to a binary of black and white, insufficiently addresses gender beyond masculinity, and gives short shrift to the performativity and fluidity...