Instead of the disembodied abstraction that is typically the norm, I begin and end by remarking on my own embodiment as a white female scholar of popular culture reflecting on comics studies by reviewing four books written by white male scholars, all of whom make significant contributions in theorizing comics form. Queer theory teaches us to question the naturalization of norms, so while I observe that all four are male-authored texts that focus mostly on male characters, creators, and audiences, I do not assume bodies neatly match up with genders and sexualities. Instead, guided by queer of color critique, I emphasize each book’s contributions in theorizing heroism and comics form while asking whether and how they engage, illuminate, limit, or even refuse analysis of intersections of gender, race, sexuality, and nation as intertwining social constructions. Three are studies of male superheroes. The...

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