From its origin, cultural studies has had an ambivalent relationship to modernism. One of the founding missions of the field was, after all, to overcome an ideology of high culture often associated with the movement. Yet cultural studies scholars have been divided about how to treat mass cultural products—the middlebrow novel, comic books, pop music. Whereas analyzing mass cultural products on aesthetic grounds risked reinforcing modernism’s aesthetic ideology, studying them solely within a sociological frame risked ceding the category of the aesthetic altogether. Indeed, one way of understanding postmodernism is as a series of failed efforts to reimagine the modernism–mass culture dialectic. As postmodernism has come to seem exhausted, the effort to map this dialectic has taken on a renewed urgency. Though different in subject matter and critical sensibility, the three books under review here each attempt to remap the modernism–mass culture dialectic. Each suggests an innovative way of incorporating...
American Pulp: How Paperbacks Brought Modernism to Main Street
Illegal Literature: Toward a Disruptive Creativity
The Aesthetics of Middlebrow Fiction: Popular US Novels, Modernism, and Form, 1945–75
Lee Konstantinou is associate professor of English at the University of Maryland, College Park, and senior humanities editor at the Los Angeles Review of Books. He wrote the novel Pop Apocalypse (Ecco, 2009) and the literary history Cool Characters: Irony and American Fiction (Harvard Univ. Press, 2016). With Samuel Cohen, he coedited The Legacy of David Foster Wallace (Univ. of Iowa Press, 2012). His writing has appeared in boundary 2, Contemporary Literature, the Los Angeles Review of Books, Slate, and elsewhere. He is currently working on “The Cartoon Art: Comics in the Age of Mass High Culture,” a critical history of comics and the field of culture after postmodernism.
Lee Konstantinou; American Pulp: How Paperbacks Brought Modernism to Main Street
Illegal Literature: Toward a Disruptive Creativity
The Aesthetics of Middlebrow Fiction: Popular US Novels, Modernism, and Form, 1945–75. American Literature 1 March 2018; 90 (1): 183–186. doi: https://doi.org/10.1215/00029831-4326514
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