Skip Nav Destination
Close Modal
Search Results for
character
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 429 Search Results for
character
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Sort by
Journal Article
American Literary Scholarship (2021) 2019 (1): 387–410.
Published: 01 September 2021
... applied by her nut brown maid (actually Grace Burgess in blackface). By faithfully reproducing Lorelei s whiteness and consumerism, [June] Walker projected both a beauty and modernity that distanced her image from the nonwhite, working-class characters that characterized her early career. e cleverness...
Journal Article
American Literary Scholarship (2000) 1998 (1): 113–128.
Published: 01 September 2000
..., marked by Joyce McDonald s book The Stu of Our Forebears: Willa Cather s Southern Heritage. Critics of both Wharton and Cather are increasingly preoc- cupied with analyzing the ambivalence or the conflicting attitudes that they see in the novelists portrayal of characters in multiracial, class-based...
Journal Article
American Literary Scholarship (2004) 2002 (1): 119–135.
Published: 01 September 2004
...
Levine sees analogies between characters’ accommodation to social codes
and Wharton’s acceptance of restrictions still imposed on writers in the
1920s. Levine gives particular attention to Newland Archer’s reading of
European books, which intensify his sense of entrapment and encourage
escape...
Journal Article
American Literary Scholarship (2003) 2001 (1): 49–65.
Published: 01 September 2003
...dence-Man ’s cosmopolitan, a character whose ‘‘job in the narra-
tive is to test the faith of the other characters.’ ’ Sten concludes that
cosmopolitanism is ‘‘a dening activity of the imagination for Melville
Bryan C. Short’s ‘‘Melville’ s Memory pp. 299–309 in Melville...
Journal Article
American Literary Scholarship (2022) 2020 (1): 359–379.
Published: 01 September 2022
... my plays can be so emotionally truthful that they break through that impenetrable shell of narcissism that characterizes the contemporary American and deliver them over to the tragic core of their vulnerability. As Bigsby observes, Shinn s concern here is not his characters but his audience: David K...
Journal Article
American Literary Scholarship (2002) 2000 (1): 123–138.
Published: 01 September 2002
... Register
(Macmillan), goes beyond earlier studies in showing how Wharton trans-
formed social codes and conventions into narrative strategies for the
construction of character and plot. Incisive analyses of The House of
Mirth, The Custom of the Country, and The Age of Innocence reveal the
innumerable...
Journal Article
American Literary Scholarship (2007) 2005 (1): 427–455.
Published: 01 September 2007
... intellectual . . . guide, philosopher and moral conscience.”
Paralysis (a word occurring at least 90 times in the book) is a symptom
of the difficulty Miller’s characters face (or avoid) if they are to honor
the basic human contract, for which Bigsby’s shorthand is “There is no
immunity...
Journal Article
American Literary Scholarship (2022) 2020 (1): 27–36.
Published: 01 September 2022
...) (Nathaniel Hawthorne Review [NHR] 46: 174 85) offers a close, productive examination of ekphrasis, the verbal depiction and/or interpretation of an artistic image, either real or imagined, a rhetorical trope Hawthorne employed throughout his career. Particularly in his early work his characters...
Journal Article
American Literary Scholarship (2011) 2009 (1): 425–447.
Published: 01 September 2011
... about the availability of stage life
in general.” What characterizes O’Neill’s dramaturgy for Robinson is
that “instead of making his characters more familiar over the course
of a production . . . and sinking their roots ever more deeply into their
milieus, he erodes them until they nearly blow...
Journal Article
American Literary Scholarship (2013) 2011 (1): 391–414.
Published: 01 September 2013
... and those attempts to recreate it in historical and contemporary
performances.” This sense of doubleness reveals a new approach to the
auction of the white woman revealed to have slave blood in Boucicault’s
The Octoroon (1859). “The near-whiteness of characters like Zoe Peyton
is crucial,” according...
Journal Article
American Literary Scholarship (2021) 2019 (1): 133–147.
Published: 01 September 2021
...- den examines two richly suggestive examples of idiosyncratic a ective experience, Benjy Compson in Faulkner s e Sound and the Fury and Frankie Addams in McCullers s e Member of the Wedding, arguing that these characters provide an alternative to characterization based in self-re exive subjectivity...
Journal Article
American Literary Scholarship (2014) 2012 (1): 379–402.
Published: 01 September 2014
... emerges when the ghosts of memory, theater history, and
modernity converge in the ‘phantom note’ of performance.”
Potentially a fascinating study of the influence of dead characters on
the living is S. M. Mahfouz’s “The Presence of Absence: Catalytic and
Omnipresent Offstage Characters in Modern...
Journal Article
American Literary Scholarship (2006) 2004 (1): 335–361.
Published: 01 September 2006
... Realism to Abstraction” (StHum 31: 92–98) Peter L. Hays exam-
ines Steinbeck’s three novelette-plays, Burning Bright, Of Mice and Men,
and The Moon Is Down, written in an effort to make reading or view-
ing drama more like reading a novella, although his characters are less
realistic and more like...
Journal Article
American Literary Scholarship (2009) 2007 (1): 437–463.
Published: 01 September 2009
... no major mono-
graph on either Suzan-Lori Parks or Wendy Wasserstein. Yet, as Alexis
Soloski has pointed out, we live in a very good time for playwrights,
and not just those of the O’Neill/Miller/Williams sort who emphasize
plot and character. Rather, Soloski sees an explosion of creativity among...
Journal Article
American Literary Scholarship (2008) 2006 (1): 421–451.
Published: 01 September 2008
...
(only Rachel Crothers and Lillian Hellman come to mind). Parks’s Fuck-
ing A, despite its insouciant Brechtianism, its wild but moving character
construction, its compassion for the poor, and its author’s Pulitzer (for
the 2002 Topdog/Underdog), is off-limits even in putatively modern...
Journal Article
American Literary Scholarship (2020) 2018 (1): 343–364.
Published: 01 September 2020
... concludes, What he revealed was the humor, overlooked in the no-holds-barred verbal slugfest between the central characters. Similarly, John Clum observes, It can be funny Who s Afraid of Virginia Woolf? is a very funny play when done right. The wide disparity of responses reveals the depth, richness...
Journal Article
American Literary Scholarship (2003) 2001 (1): 343–366.
Published: 01 September 2003
... values and diversity of African-American
communities’’ when he portrays the lack of adequate black male role
models in the lives of characters such as Bigger Thomas. In ‘‘ What Bigger
Killed For: Rereading Violence Against Women in Native Son’’ (TSLL
43: 169–93) Sondra Guttman contrasts Wright’s...
Journal Article
American Literary Scholarship (2001) 1999 (1): 313–336.
Published: 01 September 2001
..., character, setting, and irony; she then devotes chapters to the
Great Depression, agricultural history, the 1930s migrant farmworker,
unionism and labor strikes, and capitalistic lawlessness. Going beyond
Steinbeck’s own era, Johnson also comments on post-World War II farm
labor and the rise of César...
Journal Article
American Literary Scholarship (2001) 1999 (1): 139–156.
Published: 01 September 2001
... establishes the grounds for comparison of these New
York writers of Anglo-Dutch ancestry in their portrayal of characters
whose spiritual isolation calls into question the relative values of ‘‘self-
reliance vs. social compliance To develop her thesis that Wharton and
Melville ‘‘share a way of seeing...
Journal Article
American Literary Scholarship (2003) 2001 (1): 139–154.
Published: 01 September 2003
... be-
tween the readers of a novel and characters observing themselves and
others within the novel, Hochman sees reected in the di Verent re-
sponses to Lily Bart’s tableau Wharton’s own ambivalence about self-
disclosure. In The Age of Innocence May Welland Archer, ‘‘an authorial
gure...
1